Sad news. The great character actor Kevin McCarthy, best-known for his role in the original sci-fi poli-sci film classic, Invasion of the Body Snatchers, recently died. In an odd coincidence, the film was seen as a commentary on McCarthyism; Joe McCarthy was no relation. His ultimately-paranoid performance has become a benchmark for the genre, and the movie introduced the idea of "pod people" into the imaginative lexicon of North American suburbia - where unthinking ideological "mind absorption" seemed to have struck all those zombified by the Eisonhower-era. "They're here already! You're next!" could be the rallying cry for any concerned citizen though - afraid of either immigrants or the Tea Party. Several times remade, never bettered. 59 years later, it remains one of the must-sees of the period.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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