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F Is For Forgery: Jon Stone's Debut Reviewed By Eyewear

It is an apt time for Don Paterson 's Selected Poems to come out from Faber (mine is in the post) - because it cements his status as the next poet down the rung from Paul Muldoon , in terms of British/Irish poets of ludic excellence, working in the less-avant garde part of the field.  And now here comes Jon Stone , whose School of Forgery is the Poetry Book Society Recommendation currently.  I spoke with Stone last night, at the same time as Owen Sheers , and it was a pleasure to be in the company of two major if opposed English stylists, who both dress well.  Stone, in person, is slight, slim, dapper, and very pleasant.  He has the manners of a modest dandy.  His poetry is entirely predicated on the artifice, puzzling, and pop culture nous that one associates with Muldoon, Paterson, and, perhaps, Roddy Lumsden , but also, differently, is more directly influenced by Japanese culture. No British stylist since Wilde has so openly celebrated their Japonisme. ...

Hoxton Fizz

I had one of the best poetry experiences of my life last night when I attended Declan Ryan's cutting-edge poetry series in Hoxton, East London, Days of Roses.  Set currently in a hyper-cool if-small basement bar (With Lee Scratch Perry posters, red walls, a cavernous series of little snug rooms, and a great DJ), the series is pulling in the elite of the younger set of British poets.  I read with Sam Riviere , Jon Stone , Kate Potts , and Katrina Naomi last night (among others) - a very good line-up, indeed.  Ryan is himself a fine serious younger poet, and a personable host.  The audience, jampacked in, stood attentively over the two hour event (with breaks of course) and really got into the poems.  The vibe was very friendly, cultured but also hip.  If this is the coming generation, it is a great sign indeed.  Riviere has a forthcoming pamphlet, Faber New Poets 7 ; Stone's new pamphlet is SCAREcrows ; and Naomi's is Charlotte Bronte's Corset (she ...