This review first appeared on the international e-zine Various Artists Review: The Boy from Aleppo who Painted the War by Sumia Sukkar (Eyewear Publishing, 2013) With its relentless accumulations of violence and random atrocity, it’s tempting to think that, from time to time, Sumia Sukkar is pushing at the bounds of plausibility in this, her debut novel. Even the briefest of surveys of the video footage which continues to emerge from the conflict in Syria, however, suggests that the mutilations, torture, street executions and other horrors described and/or alluded to in the narrative are no exaggeration. As we are reminded throughout, in fact, the tragedies endured by the main characters constitute only part of a much larger story in which an entire country is being torn apart for reasons which, to many, remain chillingly unclear. The central narrative of The Boy from Aleppo… , then, revolves around and is, for the most part, narrated by the eponymous boy: a ...
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