In what is either a True Detective style creepy sign, or very lo-fi viral marketing, someone has scrawled the name Lana on the pavement today outside my flat in chalk, amid some occult symbols. Meanwhile, the second album from Ms Lana Del Rey , titled Ultraviolence , in a bald reference to A Clockwork Orange (she had already exhausted that other hip transgressing novel Lolita ) is upon us. This is not a review - I am still taking in the deadly nightshade that is this aural intoxication - but more of a nod of assent. Del Rey is a persona - so what? so was Oscar Wilde - and she gives good dark mood. Her interview in today's Guardian is perhaps more nihilistic than even Detective Rust, though - she claims not to want to be alive, and not to enjoy her enormous success or performing live. With ennui like that, who needs fiends? A common criticism is that her soporific melodies are attached to lyrics that are obsessively one-note: that basically they are torch songs a...
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