Today's Guardian mentions a study that shows that only 3 of the top 100 singles this year were in the rock and roll category. Hip hop and Dance and Pop are the new kings. Most rock stars are in their 50s, 60s or older, and few young Turks are on the way up with anything like the same levels of support or fanbase of their elders. One commentator suggests rock and roll is as dead as Jazz. What does this mean for performance poetry in the UK, which saw itself as a new kind of "rock and roll"? Clearly, rap is, as David Brent noted in one episode of The Office, "the new Wordsworth", but where does that leave contemporary mainstream poetry? It seems hard enough to imagine ever being as popular as Elvis Costello, let alone hearing his genre is going the way of the Dodo too... or is that Dido?
A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
Comments
I remember reading the Poetry Review's 'New Generation Poets' of 1994. The overarching theme was that 'poetry is the new rock and roll'. It never really happened and, in fact, sales of contemporary poetry declined sharply soon afterwards. I have noticed however that all of the poets featured have gone on to fame if not fortune as a direct result of their inclusion.
Best wishes from Simon