A reminder that Todd Swift is editing an anthology for Cinnamon Press (UK) of the best of the young British poets, those born in or since 1970, all profits for Oxfam, to be sold through its book shops, and launched end of 2011 or early 2012. Deadline for submission of poems is April 8, 2011. Earlier submissions appreciated. Poems may be new or previously published (in magazines, pamphlets or online, preferably not in books); poets should have full copyright for poems. Submit 5-8 poems and 150 word bio note as word document to toddswift at clara dot co dot uk.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
Comments