Skip to main content

New Poem by Joe Rosenblatt

Eyewear is very pleased to offer a new poem by Joe Rosenblatt this Monday.


Rosenblatt was born in Toronto in 1933. He dropped out of trade school as a young adult and worked at a series of low-paying jobs until he started working as a laborer for the Canadian Pacific Railway in 1956. By 1966 he had his first book of poetry published and he also received a Canada Council grant which allowed him to leave his job as a freight handler of the old Canadian Pacific Railway and devote the next year to writing and traveling.  Over the years, Rosenblatt has written more than 20 books of poetry, several autobiographical works and his poems have appeared in over thirty anthologies of Canadian poetry over his forty year career as a poet. His poetry books have received major awards, such as the Governor General's award for poetry in 1976 and the BC Book Prize in 1986. For the past 30 years he has been living in a beach resort community of Qualicum Beach on Vancouver Island.
Predator

Affixed on an artist completing a sketch
a steely emperor on the highest branch stirs 

as from a partially-eaten dream, to fit
a curious repast inside a basaltic gaze. 

Talons ready, he’ll swoop down, seize 
what he’s mistaken for scrumptious quarry

And like some warrior god , he’ll swiftly jet 
skyward to a nest filled with fragmentary bones;

Yet Ken keeps on sketching that statuary bird
who sketches him in the carborundum silence.


poem by Joe Rosenblatt

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".