Skip to main content

Notice: Magma Prize


Magma Poetry Competition
In celebration of 50 issues of Magma Poetry magazine, and in anticipation of more to come, Magma Poetry launched a new competition in June 2011.The competition has two contests and the entry period for both contests is NOW OPEN. Poems of up to 80 lines on any subject are accepted, and will be judged by George Szirtes. The competition has two contests and the entry period for both contests is NOW OPEN.

Magma Judge’s Prize (First Prize £500, Second Prize £200, Third Prize £100)

For a poem of up to 80 lines. All poems submitted will automatically be entered for the Judge’s Prize which will be judged by award-winning poet George Szirtes.

Magma Editors’ Prize (First prize £500, Second Prize £200, plus 10 Special Mentions £10 each)

This has been set up to give long-overdue recognition to short poems and is open to poems of up to 10 lines. The Magma Editors’ Prize celebrates the rotating editorship and poems of up to 10 lines will be judged by a panel of Magma Editors.
Competition deadline is 30 November 2011. To enter online, please visit www.magmapoetry.com/competition   

Comments

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....