Skip to main content

New Poem by Stefan Mohamed

Eyewear attended graduation ceremonies today for Kingston University's class of 2010, in the Faculty of Arts and Social Sciences.  Professor Sir Peter Scott, Vice-Chancellor, spoke out powerfully and with noble clarity about the dangers of the Coalition proposals to savagely cut university budgets.

I was very proud of the students, many of whom I've tutored these past three years, as they graduated, often to the applause of friends, family and other supporters - still so young, but on their way - into an increasingly fragile and contentious socio-economic space, where the arts are less and less valued beyond their merely financial merits.  Seeing them in their gowns, tossing their caps in the air, I felt they at least had the security of their degrees, experience, and conviction, to aid them in their dealings with the "real world".

One of my former students, Stefan Mohamed, this morning graduated in Creative Writing with Film Studies BA (Hons), first class, and won the Creative Writing award.  I offer a poem by this fine young man from Mid-Wales today. [editor's note: on 3 November, Stefan was shortlisted for the Sony Reader Award, as part of the Dylan Thomas Prize.]

Garden

I planted a time tree.
Bear with me.
Many, many seeds, in a clock formation,
in deeply-dug beds.

At I, the biggest cog from an antique grandfather.
At II, one of the five hundred incisors from my dragon's mouth.
At III, a seashell with a lullaby living in it. Good fertilizer.
At IV, this morning's lucid dream.

At V, a high, clear top E from a bird-like soprano.
At VI, an unwished wishbone.
At VII, a stolen teenage summer.
At VIII, what some believe is a fallen star.

At IX, bark from the oldest tree in the forest.
At X, one xylophone key,
and at XI, its echo,
and at XIII, a brand-new timepiece that'd just learned how to tick.

All these seeds I sewed,
taking up the length and breadth
of this fairly meagre garden
and I watered them

with joyful tears, sad tears,
and the week's only raincloud.
Then I waited.
Because that's the thing about time.

poem by Stefan Mohamed

Comments

Andrew Strong said…
Beautiful. Is this poet published?

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

THIS YEAR'S BAFTAS

Last year, Eva Green won the Rising Star award at the Orange BAFTAs - and this year the ceremonies promise to be even more glamorous.  The striking film writers in America silenced the Golden Globes, and look set to do the same for the Oscars, which means London may get a world-class awards night. Eyewear , like all UK citizens, has yet to see some of the films nominated (members get sent copies to watch at home in some instances before general release), but can make some predictions - want to bet? Atonement will likely win Best Film. The Bourne Ultimatum should win Best British Film, though Control may do. The Bourne trilogy was astonishingly good genre work, and has rejuvenated The Bond series in the process, so deserves the kudos. Film Not In The English Language should go to The Lives of Others . Lead Actor will be Daniel Day-Lewis . Lead Actress will be the brilliant Julie Christie , whose work in the superb Canadian film Away From Her was so brave, and moving. Ja...