Skip to main content

Featured Poet: Sylvie Marie

Eyewear is very glad to welcome, this ice-cold London Friday, Sylvie Marie (pictured above) born in Belgium in 1984.  She has published poetry in several magazines and anthologies. Her first collection of poetry Zonder (which means Without) was published in 2009 and was received with great praise by the Dutch press."this may be the most remarkable poetry debut of the recent years", one critic said. Marie is also editor of the Dutch literary magazines Meander and Deus Ex Machina. She writes a poem every week for the widespread Flemish magazine Humo.  I met her in October at the Maastricht International Poetry Nights, where we were both guest readers.  The poem below was translated into English  by Zoran Ancevski with the poet.




soms

soms wil ik je dood, schat,
niet dat ik je dood wil maar
ik zou je lichaam wel eens
willen dragen wanneer
je hand ontkracht naar
beneden bungelt en je tong eruit.

ik zie me je al jaren torsen tot
oog en vlees vergaan, de
schilfers van je huid achtergelaten
als om de weg terug te weten
maar om nooit te gebruiken.

uiteindelijk zou alleen nog
het skelet met botjes, kootjes en
andere kruimels achterblijven,
jij dan licht geworpen als een
zomerjasje over mijn schouder,
mijn pink in het lusje.



sometimes

sometimes I want you dead, honey,
not that I really want you to die
but I would like to carry your body
once when your hand’s
hanging powerless down and
with your tongue dangling out.

I see myself hauling you for years till
eye and flesh putrefy, the flakes of your skin
left behind as a help to remember
the way back home.

eventually only your skeleton
with tiny bones and crumbs would lag
behind, you thrown slightly as a summer jacket
over my shoulder, my little finger
in the loop.


poem by Sylvie Marie; published with permission of the author.

Comments

Anonymous said…
She is indeed a remarkable good poetry writer in our country - Belgium. I am a great fan!

Jan
Emerging Writer said…
I really like this. I read it slightly differently.

Sometimes I want you dead, dear,
not that I want you dead but
sometimes I'd like to wear your body
when your hand dangles down
and your tongue sticks out.

I see myself carrying you for years
until your eyes and flesh decay,
leaving the flakes of your skin behind
as if to know the way back
but never to use it.

At last only your skeleton
shall remain with tiny bones
and other crumbs,
you then thrown as light as a
summer jacket over my shoulder
my pinkie in the loop.

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise