Skip to main content

Eliot The Dunderhead?

As seen at the blog Harriet - a link to news that the great(est) American poet of the last century, Mr TS Eliot, had trouble at Harvard with his studies - in short, he got far fewer As and Bs than we might have expected.  Instead, the no doubt day-dreaming, perhaps anxious, maybe even sleepy, Mr Eliot, missed classes, got a D, and seemed to be on academic probation.  Mr Eliot, unique in being both a charlatan and a genius, often in the same essay, or sentence, was a master of verbal erudition that displayed more than it actually said - the reverse of subtext - he was the lord of the overtext.  He also abandoned his PhD work, and, famously, went on to work in a bank, edit books at Faber, pen essays, plays, and the most famous difficult poem of the last two centuries in English, and, win the Nobel Prize.  I too was a piss-poor undergrad student who got through on a wing and a prayer, as were (I would guess) several other poets.  Poets have a habit of missing deadlines, over-writing or under-writing essays, and crumpling up bits of paper in their pockets.  They sometimes drop out, or become professors.  Or not.  But it is charming to know that, 100 years ago this month, Old Possum was just a young dolt.

Comments

Brian Busby said…
Not just poets, I'm afraid. I, too, was a young dolt. How could doltage have been avoided? A young man, newly of drinking age, experiencing that first taste of independence, living in that first apartment (with visiting girlfriend)... it's a wonder I attended classes at all.

I'm betting this was a common experience.
Poetry Pleases! said…
Dear Todd

Attending Oxbridge has left me with a massive scepticism about formal education. Leaving university prematurely doesn't seem to have harmed characters like Bill Gates. Many of the most brilliant people I know either got thirds or dropped out altogether.

Best wishes from Simon

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....