Skip to main content

Poetry Focus On: JANET ROGERSON

Janet Rogerson
Janet Rogerson has a pamphlet A Bad Influence Girl with The Rialto, which was published in 2012. Her qualifications include an MA in creative writing and a Postgraduate Diploma in Education (PGDE). At the moment she teaches Creative Writing in the community and is also doing a PhD at the University of Manchester.  The poem below is from this highly-recommended collection, which will be reviewed here in September.



The sun is a guillotine

dropping its blade,
an arbitrary executioner.
It makes us followers of ourselves
and has us emerge around corners before us.

One afternoon, walking down
a parched avenue, you slip
into a bar named Hopper’s.
The trees across the way

are fidgeting on the barroom floor.
You sit in a booth, your glass drips
and shimmers like a cave crystal.
You sit in black and white

as the jukebox plays a song
then the shadow of a song.
The trees do this and that
just leaves on the dance floor.

She wants to lie down in your shadow,
she’s so in love with you
that night-time brings an irrational
fear of what shadows can do.

The sun beheaded three men
in the bar that day
and shadows grew
to ridiculous lengths.

poem by Janet Rogerson, online with the author's permission.

Comments

Poetry Pleases! said…
Dear Janet

Very nice imagery in this ingenious poem. Good luck with 'A Bad Influence Girl.'

Best wishes from Simon
Anonymous said…
Thanks Simon, it's very kind of you to take the time to comment.
Best wishes, Janet

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....