Eyewear is jumping ahead a bit. On the 24th, Saturday, it'll be the 20 year anniversary, as we all know, of Nevermind, universally regarded (now) as the single most important popular music album of the 1990s, a true generational watershed moment. I still remember the first time I heard it, in 1991, at an October house party, in Montreal. It was on in the background. I was drinking a beer, talking to a guy in an untucked flannel lumberjack-style shirt, and we both stopped and said - hey, this is f***ing good. Soon, I had bought the CD, and was playing it all day. I was lifting weights then, at my Verdun apartment, and used to keep it on in the background; and it became the soundtrack to my personal life, for a while. Sure, the rest of the story gets a little boring, soon enough - the loser club death, the wasted genius. But Cobain and Co. created a few tracks the aural equivalent of The Beatles. Truly great stuff, that belonged only to us - people then in their 20s. Of course, that makes me 45, which sort of sucks, but it was good to have our own sound, not the 60s. I should add, I still think Pixies and Smashing Pumpkins come close to Nirvana at times. But name another album where each of the 12 songs is a classic. Don't bother.
A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
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