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His four biggest albums are Look Sharp!, I'm The Man, Night And Day, and Body And Soul, and over the course of these, Jackson refined his nasal whine, his acid, even snide, wit, and his Jazz-pop hybrid (moving from guitars to piano, more and more) - really playing with how sentiment and cool could coincide (usually by marrying sad-sack heartbreak themes with ironic lashings of bile). Often, his snarling humour marred the overall tone of the work, while paradoxically sometimes being its best element. The best of Jackson has the joy of the music from the Peanuts' cartoons, and Rain has that keyboard zest (especially on "Citizen Sane").
He's always been a more talented musician (and better singer) than Costello, but never quite received his due. I met him a few years back, in Marylebone, leaving a Waitrose store, carrying milk. We spoke briefly, but he was a little tetchy. I don't think he appreciated my enthusiasm for his work (I was, after all, just a fan). I think Jackson is one of the greatest of British popular musicians of the post-Beatles era, and Rain has several songs ("Too Tough" and "King Pleasure Time" for instance) that are among his finest - classics-to-be. This is one of the albums of 2008.
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