Bear In Heaven are yet another one of these "Brooklyn Indie Bands" that are essentially synth-rock outfits, all reverb and as Pitchfork notes, digitization. Well, I love their new album, just out, I Love You, It's Cool. Fresh as new paint from Tom Sawyer's brush, the songs answer the question, what would happen if Animal Collective went back in time and fused with Depeche Mode and Tears for Fears. You'd get loping, emotive, ultra-cool synth songs with just a bit more dreampop shiver-shimmer, sung in an American key of boyish yearning. 'Sinful Nature' and 'The Reflection of You' are two of the best indie pop songs you'll hear in 2012, or 1982.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
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