Skip to main content

Featured Poet: Toby Martinez de las Rivas

Eyewear welcomes the poet Toby Martinez de las Rivas (pictured) this rainy Friday in London.  Toby Martinez de las Rivas was born in 1978. He grew up in Somerset, then moved to the north-east of England after studying history and archaeology at Durham where he began writing. 

He first worked as an archaeologist and this, together with the landscape of Northumberland and the work of north-eastern writers such as Barry MacSweeney and Gillian Allnutt have had a significant impact on the development of his own poetry. He won an Eric Gregory award in 2005 and the Andrew Waterhouse award from New Writing North in 2008. His poems have appeared in a number of magazines, and he was also selected for the Faber New Poets scheme; his pamphlet was number 2.  Many, including myself, consider him among the most gifted and imaginative of emerging poets now writing, and the ingenuity and originality of his work has something of the youthful genius of a young Paul Muldoon - though with its own style.  I mean by this I have rarely been as impressed with a new poet as with him.  I look forward to his first full collection. 



Narrative

Futility of representation, of image, cherubic shepherd. 
Only the irrádiate Inmaculada of Nagasaki can help us,
or Bonhoeffer on the forsaken God, on hís decrepitude.
Le Pont des Tourelles, buckling under the concussions.
Orléans, in conflagration. And this, a foursquare stable
in the hinterland of assault, thick stands of corn waded
through by cows in labour, the one who told this to me
easing his eye cautiously to the door to find two horses
in yoke at the charette, each knelt on its cannon-bones
as if sleeping, unscathed, groomed, dead in their traces.

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".