Been reading Lucky Jim - at last! - while on vac; I know, I know - but I always preferred to come at Amis Senior via his under-rated poems, which are rather good, really. Aside from noting being a lecturer hasn't changed all that much in 56 years, it is striking (and this is a rather expectable observation, the kind I like to make) how many tropes, themes, phrases, and exact words, seem directly influential on the poems of Larkin, who was, of course, privy to early drafts of the work. Fear and boredom dominate the life of eponymous hero Jim Dixon, as does an interest in pretty "girls" beyond reach. It's a surprisingly romantic, even touching book, as well as being pretty darn funny at times. Required reading, indeed.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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