Skip to main content

Poem Focus: Great Poems From Identity Parade #03

The third poem in this series of contemporary "British and Irish" classics is by Galway-based poet Kevin Higgins. Higgins can be said to have introduced a paradigm shift in Irish poetry around the turn of the century - away from, on the one hand, Joycean avant-gardism, and, on the other, Heanyesque sincerity. Instead, Higgins returns Irish writing to its third policeman, Satire. Not the po-mo irony of Muldoon, mind you - not the bitter loam of Kavanagh - not the high tone of Yeats - but as down-and-dirty Swift as it gets, with the additional blade-in-the-apple of Aubade-era Larkin. Higgins has turned Galway into a Higginsland - the new Boom-and-Bust Ireland of power lunches, Polish waitresses, and sudden economic collapse - and turned his caustic eye on the country as a whole. With a dash of performance hubris, he is that rare thing - a crowd pleaser with the mirror turned on the audience.

'The Couple Upstairs' is one of Higgins's gentler, more Larkinesque poems, but it captures his midway style between humour and lyricism. It features a nameless couple upstairs (who may or may not include Higgins) and an unnamed widow below, armed only with her stick "suddenly frantic against the ceiling" as sex happens, or a poetry book drops to the floor, ruining an ordinary Tuesday afternoon. Higgins here uses his original trope of contextualising the Irish-banal with historic events ludicrously outsized, so that the "chair/ you've sat in since Jimmy Carter" places her decades past her due date. The poem finally ends with a bit of lightning that Thomas might have forked.

Comments

Julie said…
He is greatly interested in poetry readings, and especially the places where the best, the most literary, performance poetry intersects with the livelier parts of the mainstream. He´s done poetry readings at many venues around Ireland, and also in Paris, New York, London, Los Angeles, St. Louis, Kansas City. It is a real role model who doesn´t have Trouble focusing since his style is very precise and humour is always a part of his writings.
I like him and his work a lot.
I also like your blog, keep on posting!
Jules

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".