To answer the comment about my cheering for Canada at the Olympics... people do have divided loyalties. I have a dual sense of identity - part-Canadian )where born), part British/Irish, where I live. As Morrissey sang, "Irish blood, English heart" (or was it vice versa?). My wife, who is Irish, cheers Canada, since we met there. We both have affection for Hungary and Hungarians, as we lived for a few years in Budapest. Why the need to pin down other people's identity? Dual citizens abound, with multiple passports - and in 19th century and before, as Paul Fussel reminded us, there were no passports (very few before the 1930s) - you just went and travelled. As Sydney Greenstreet once called himself, maybe poets are "citizens of the world". All this to say, be not confused - Eyewear sees double (at least).
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
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