One of the eccentric-yet-significant writers of the 20th century, Robbe-Grillet, has died. Aside from his infamous new style of novel, which sought to do away with plot as if it was but one more victim in a murder mystery, he scripted L'Année dernière à Marienbad - which remains one of Eyewear's favourite films. Its influence is everywhere, most recently in the temporally-refracted editing of Atonement's first 40 or so minutes (itself set in a similar space of fountains and gardens, though in miniature). He also wrote and directed other works for the cinema, though none with quite the same impact. At one stage, it might have seemed he would have been an intriguing candidate for a Nobel, but his eminence waned, if not his name, which remained the ultimate in one form of French avant-garde sophistication.
One of the eccentric-yet-significant writers of the 20th century, Robbe-Grillet, has died. Aside from his infamous new style of novel, which sought to do away with plot as if it was but one more victim in a murder mystery, he scripted L'Année dernière à Marienbad - which remains one of Eyewear's favourite films. Its influence is everywhere, most recently in the temporally-refracted editing of Atonement's first 40 or so minutes (itself set in a similar space of fountains and gardens, though in miniature). He also wrote and directed other works for the cinema, though none with quite the same impact. At one stage, it might have seemed he would have been an intriguing candidate for a Nobel, but his eminence waned, if not his name, which remained the ultimate in one form of French avant-garde sophistication.
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