Eyewear saw There Will Be Blood last night. It wasn't Kane - it was morose and downbeat like Ambersons, with some of the muddiness and new century cornpone of that film - and it made me think there will be hype. I found the didactic false prophet vs. false profit motif slightly linear, and the lack of any character development curious. Of course, the acting was bravura, the tone and pace original, and the Malickian attention to men at labour in American fields, moving and well-shot. It may grow on me. One thing about the Oscars this year - most of the US films up for the big awards were very dark, very violent - this is the age of Bush - and the toxic blowback from Iraq has just now begun to seep in to the water supply in Hollywood. The best American movie of 2007 was possibly the third Bourne feature - in terms of direction, and suspense; it too, was violent, and political, but somehow deemed irrelevant - perhaps because it expressed its skills so openly. Anyway, the good news may be this: a fourth Bourne could happen. If it does, let's hope they stick to the formula (same theme song, same look, same actors, same director).
A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
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