How could Eyewear, of all blogs, not note the passing of one of America's greatest (as in above) photographer's, Slim Aaron (see obituary link below), especially as he was the model for James Stewart's immobilized shutterbug-cum-murder-witness in Hitchcock voyeurism classic Rear Window.
Slim's main theme, after war, was nothing less than the playgrounds of the jet set he helped to snap in time - the rich who float above the fracas of life in which others do the fighting; although immune to ideology, his images yawn wide with Marxist meaning. Slim did history by other means. The history of the impermeable membrane on the pool - the flashing surface of things. The cream on top.
http://www.guardian.co.uk/obituaries/story/0,,1821979,00.html
Slim's main theme, after war, was nothing less than the playgrounds of the jet set he helped to snap in time - the rich who float above the fracas of life in which others do the fighting; although immune to ideology, his images yawn wide with Marxist meaning. Slim did history by other means. The history of the impermeable membrane on the pool - the flashing surface of things. The cream on top.
http://www.guardian.co.uk/obituaries/story/0,,1821979,00.html
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