Poetry At The National Film & Television School

Each year the (UK) National Film & Television School asks their Year One Group (Documentary Direction; Cinematography; Location Sound; and Editing) to combine strands, and produce a short film based on a line of poetry.

The tutors for the course are directors Asher Tlalim and Dick Fontaine. Fontaine has directed documentaries with, and about, The Beatles, Norman Mailer, and many of the great American Jazz legends. The visiting Tutors are writer Jane Corbett and cinematographer Sean Bobbit.

They also invite two guest poets each year to kick-start the intensive 5-week project as part of a workshop panel, to read their poems, and discuss the creative conflict between image and word. This year, I was invited to join English poet Julia Casterton.

We read some of our poetry, and had an intense, free-wheeling debate on violence and experience, where to place the camera when filming in a war zone, cinema of the Holocaust, the relative merits of Tarantino, and the dialectical nature of documentaries, which Julia suggested might be one part tragedy, one part accident. We all agreed the unearned sensational image was worst, and the best was the one which seemed indirect, felicitious.

My poem on Charlotte Rampling, from Rue du Regard (DC Books, 2004) went over well.

http://www.nftsfilm-tv.ac.uk/

Comments

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and Silence of the Lambs . I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise

E Y E W E A R, THE BLOG - FREEDOM MEANS BEING UNAFRAID TO WRITE WHAT YOU THINK

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