Skip to main content

Poem by Peter Robinson

Eyewear is very glad to feature Peter Robinson (pictured here) this Friday. He is arguably one of the finest, and most subtly innovative, of lyric poets now writing in the English tradition.

Robinson was born in the North of England in 1953. After seventeen years teaching English Literature at various universities in Japan, he has recently accepted a chair in the School of English and American Literature at the University of Reading. He is married and has two daughters. His many publications include Selected Poems (Carcanet, 2003), a collection of aphorisms and prose poems, Untitled Deeds (Salt, 2004), and Twentieth Century Poetry: Selves and Situations (Oxford, 2005). Two new books of poetry, Ghost Characters (Shoestring) and There are Avenues (Brodie), appeared earlier this year. Forthcoming this autumn are two books of translations, The Greener Meadow: Selected Poems of Luciano Erba (Princeton) and Selected Poetry and Prose of Vittorio Sereni (Chicago), as well as a collection of his interviews, Talk about Poetry: Conversations on the Art (Shearsman). A collection of essays on his work, The Salt Companion to Peter Robinson, is scheduled for October.


Disorientation

That newly fledged hedge sparrow
that flutters in the aura
of a neon lamp among the laurels
activates this height of summer
on pools with their reflected glories
where rain, nostalgic for the sky,
evaporates as heat
relentlessly returns, and we
are suddenly that bit poorer.
Obits come from another day.
Late light glows behind the leaves;
it backs off, turns away,
and I can do no more.

Like when, just out of hospital
and trying to feel well,
you sense the place as fragile;
you see how two wood pigeons
have gone and built their nest
in branches over the garden fence,
scaring away such smaller birds
as those aligned on the top of one vast
motorway junction sign
for Canterbury, Sevenoaks, Dover and the coast
— these things themselves like a picture of health,
being more at home than you can be
in your curiously lost self-interest,
and the light too going west.


poem by Peter Robinson. First published in English (2005)

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise