Ten years ago, as the UK prepared for a potentially illegal war against Iraq, Nthposition, edited by Val Stevenson, and myself, the site's poetry editor, hurriedly compiled a global anti-war anthology that was soon followed by many others. The anthology, ten years later, has been written about in several academic studies, sometimes vilified, and was even mocked by the comedian S. Fry. It was also downloaded tens of thousands of times, launched in dozens of cities at once, from Russia to Japan to America to the UK - and was turned into a very rapid book by Salt (when it was featured on CNN). The Guardian that year selected it as the most popular poetry book of the year, in terms of library loans. It was called 100 Poets Against The War. That's what I did, way back then, when younger, with my spare time; it is now available online for sale for one penny.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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