Skip to main content

Featured Poet: Kimberly Campanello


Eyewear is glad to welcome Kimberly Campanello (pictured) this very early Friday (so early it is Thursday!).  She was born in Elkhart, Indiana. Her chapbook Consent will be available from Wurm Press’ mimeorevolution in April 2011.

She was selected to read in the 2011 Poetry Ireland Introductions Series and was featured poet in the summer 2010 issue of The Stinging Fly. Her work has also appeared in nthposition, The Cream City Review, Italian Americana, and GulfStream, among other journals.

Campanello is an assistant editor of Rowboat, a new magazine dedicated to poetry in translation. She is completing a PhD in Creative Writing at Middlesex University in London. I've much enjoyed meeting her - she's smart, vibrant, and very talented.

*
Comme le feu, l’amour n’établit sa clarté/que sur la faute et la beauté des bois en cendres…  –Philippe Jaccottet

The orange on the horizon—a boat with curved Viking sails
in flames. No, it’s the moon rising. I still want to cry for help.
The ring-necked dove crying for help. The one with the broken

wing that we took to the rehabilitation center. The only thing
to do with a ring-necked dove is wring its neck. A non-native species,
they probably fed it to an ailing osprey. A boat with curved Viking

sails in flames. In Dublin, they built an office on the best
Viking site they had. The only thing to do with a ring-necked
dove is wring its neckWe’re just mixed-up capitalists. It’s nothing personal.

A fire—the orange on the horizon—takes seven days to reach us.
Day one we laughed and skimmed ash off the sea. Day seven
the gardener stayed behind, drawing circles of water

around the horse, letting the cars finally explode.
The orange on the horizon—the surplus value we’ll never extract.
I can’t seem to drive my feet deep enough in the sand to hold me,

to keep me from treading water. I must float or stand. The moonrise
reproducing the means of production. This shoe is heavy and seeks
non-native species—Cuban tree frogs and iguanas—for smashing.

The only thing to do with a ring-necked dove is wring its neck.
Dear Orange on the Horizon, or to Whom It May
Concern: For just five minutes give us something different.

A tall glass building, windows with no drapery, and people
and doves we can watch rehabilitate. Draw a ring of ash
around my neck, for love. I will float and stand.

poem by Kimberly Campanello; published online with permission of the poet

Comments

Anonymous said…
A forest fire clears. Salty waves wash clean. Love risks. It is not responsible for clarity or pain.
Anonymous said…
Forest fires clear. Salty waves wash clean. Love is not responsible for clarity or beauty. It simply burns, salt and fire. Raw. Sink or swim.

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise