Conrad Black has been released (for now) from prison after a Supreme Court ruling that the law under which he was charged was vague. Black is the most infamous, and controversial, Canadian of the 21st century - and arguably the last as well. Although I often disagree with his views, we both share a few things: being Montrealers; being debaters when young; and having an interest in Nixon. Indeed, after I wrote a positive review of his Nixon biography, Black sent an email saying no other reviewer had understood the book as well. I though the book brilliantly stylish. Hopefully Black will write more.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
Comments