Skip to main content

Poem by Rufo Quintavalle

Eyewear is very pleased to welcome Rufo Quintavalle (pictured) to these pages this Friday - especially as I have been publishing his work at Nthposition now for several years, always happily. He was born in London in 1978, studied English at Oxford and the University of Iowa and lives in Paris with his girlfriend, AgnĆØs and daughter, Edda. His poems have appeared in Barrow Street, The Wolf, The London Magazine, Smiths Knoll, Upstairs at Duroc, MiPOesias, and elimae. A chapbook, Make nothing happen, will be published by Oystercatcher Press in 2009.

There is no other contemporary English poet quite like Quintavalle: from his extraordinary name (perhaps the most inherently exciting since "Ezra Pound") to his exotically-imagined, deeply-thoughtful, ruefully witty, and sometimes very brief, poems, to his slightly marginalised location across the Channel, he represents a different current - one that, should he continue to write as well over the next few years, will establish him, one hopes, as a key British poet of the 2010s.

He surely is the sort of poet a publisher like Salt, or eggbox, might want to seriously engage with - for, among other things, his work moves beyond simplistic poetry battles, to keener demarcations - towards a wide open poetry both intelligent and ludic, both linguistically adept and formally capable. He surprises, and pleases, at once.


Milosz in California

We are more than just meat he whispered
to the swimmers at the beach,
but the swimmers mistook his whispering for the wind
and looked for the white foam lifting from the waves.

We are more than just meat he said,
but the swimmers heard eat
came out of the water
and shared out fruit among them.

We are more than just meat he bellowed
from his hill above the sea,
but the swimmers had left and the black waves
laved then uncovered the beach,
and swimmers, waves and beach,
nothing bellowed back.

poem by Rufo Quintavalle

Comments

NANCY CAMPBELL said…
This is a fine poem, thanks for introducing me to a new writer. I'd like to review for you too, if the work is of this standard!

email: nancycampbelle@gmail.com

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

THIS YEAR'S BAFTAS

Last year, Eva Green won the Rising Star award at the Orange BAFTAs - and this year the ceremonies promise to be even more glamorous.  The striking film writers in America silenced the Golden Globes, and look set to do the same for the Oscars, which means London may get a world-class awards night. Eyewear , like all UK citizens, has yet to see some of the films nominated (members get sent copies to watch at home in some instances before general release), but can make some predictions - want to bet? Atonement will likely win Best Film. The Bourne Ultimatum should win Best British Film, though Control may do. The Bourne trilogy was astonishingly good genre work, and has rejuvenated The Bond series in the process, so deserves the kudos. Film Not In The English Language should go to The Lives of Others . Lead Actor will be Daniel Day-Lewis . Lead Actress will be the brilliant Julie Christie , whose work in the superb Canadian film Away From Her was so brave, and moving. Ja...