Jeet Thayil, the Indian poet, has edited an important new anthology of Indian poetry (in the English tradition), just out from Bloodaxe, a book Eyewear will review in time. Before then, it needs to be said that The Guardian ran a hugely blundering (and borderline offensive) review of the book - a dismissal by other means - on Saturday, an odd act since the UK has been in need of such a collection for more than a decade. I have long believed that the best of Indian English-language contemporary poetry, from the likes of Ranjit Hoskote, Vivek Narayanan, and Sudeep Sen, is among the best of contemporary poetry from anywhere - and its lack of availability, until now, was almost silly, if not sad. So, Thayil should have been thanked first, criticised, if at all, later. Anyway, he's responded.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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