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This excerpt from "Brummel at Calais" is interesting for a number of reasons, not least because English-French aestheticism and stylishness have always been a part of modern Montreal poetics, much more so than in the rest of Canada. I am surprised that John Ashbery has not written about John Glassco, since in some ways Glassco is a precursor of his, in francophile interest.
An art of being, nothing but being, the grace
Of perfect self-assertion based on nothing,
As in our vanity's cause against the void
He strikes his elegant blow, the solemn report of those
Who have done nothing and will never die.
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