Skip to main content

Poetry and religion

There is something dispiriting - literally - about Nick Laird's latest column in this weekend's Guardian Review (the Review lists Tuesday's Oxfam event in London, by the way, and also features a best of the year book roundup, which might be of interest to readers of Eyewear) - in how he discusses his lost faith - and subsequent attempt to find it in poetry. Faith isn't just lost. Faith is like a radio that needs to be constantly tuned - sometimes, the faintest signals of possibility can be detected, at other times, it is all a fuzz.

When one entirely loses faith, one is in a sense saying something about the human soul: that there isn't one. Otherwise, if one still believed that, then not all would be lost. Nihilism and poetry reached an exquisite dead-end in the darkly fascinating morgues and flesh of Gottfried Benn. Laird, though, seeks to argue that poetry can replace, even supplant religion - not a new thought, surely. Keats thought this. Wallace Stevens exemplified it. And Heaney continues the modern-romantic quest to achieve epiphany in the world, not beyond it. So too, does Ashbery, in abstract indeterminate ways. Most poets these days are atheists, or non-God-types, who place a lot of store in pure poetry, to achieve the lift-off their discarded faith (or religion) can no longer supply.

Poetry, though, is not a sturdy belief system, nor does it supply the constant sources of wisdom, warmth, and illumination, that a religious, or spiritual, belief system can. Poetry, in the occult hands of a Yeats, has immense symbolic resources, and can yield extraordinary instances of illumination (Bloom speaks of such sublime instances in Emerson, or Whitman) - but poetic visions are rarely sustainable coherent systems capable of assisting one through all of life's natural cycles of joy and grief.

Lord knows, poets try. Poetry, however, is a handmaid to religion - as in the work of later Donne, or Hopkins. Poetry finds words for things that may not have words beforehand. But it isn't those things, itself. Beyond language: a mystery. In that mystery, perhaps, a God. I wish Laird well on his journey to map a search, with science and language as his guides. One day, the poet who seeks a new religion may find an old faith waiting for him, where his journey began.

Comments

Mark Granier said…
"Poetry, though, is not a sturdy belief system..."

Thanks God!

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise