Skip to main content

Le Clezio Wins Nobel For Literature

Le Clezio who? No clue. The English world - recently chastised for its insularity - may scratch its collective head over the latest winner of the Nobel Prize. Jean-Marie Gustave Le Clezio is not, I would have thought, a household name in Britain, or America. That may be part of the point - though I lived in Paris for several years, and did not encounter his name there, either. Following him on Amazon, one can quickly see, despite a few translations, his work is mostly out of print, out of bounds, off-limit, for most Anglo-saxon readers. "J. M. G. le Clézio" resists being absorbed into the celebrity world of publishing, prizes, and parties, that typifies a kind of Americanized hegemony of the bookworld (or so it might seem to some jury members). However, despite the undoubted talents of this thrillingly obscure (to me) Francophone writer, I wonder how long Margaret Atwood will have to wait, to be recognised as one of the major post-colonial literary figures of the past 40 years?

Comments

Andrew Shields said…
When my wife lived in Bordeaux and Poitiers in the mid-nineties, I constantly came across his name. He certainly was a major presence in the literary bookstores in those two cities, and in the Quinzaine Litteraire, which I read regularly in those days.

But I admit I have not read him myself!

I think it is symptomatic of the insularity of English-language publishing in general that such a figure (considered by a plurality of Lire readers in the early nineties to be the greatest French novelist of the age, according to Wikipedia) has hardly been translated at all.
Anonymous said…
french literature is still the centre of europe he deserved it like kundera arrabal houellebeque bonnefoys bruckner butor tournier

www.arelis.gr it contains the forbidden in greece erotonomicon that socked the greek public opinion with its sexuality and sensuality and the anticapitalistic context

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise