Skip to main content

Poem By Ken Edwards

Eyewear is very pleased to welcome Ken Edwards (pictured) this Friday. His books include the poetry collections Good Science (Roof Books, 1992), eight + six (Reality Street, 2003), No Public Language: Selected Poems 1975-95 (Shearsman Books, 2006), Bird Migration in the 21st Century (Spectacular Diseases, 2006) and the novel Futures (Reality Street, 1998). The prose work Nostalgia for Unknown Cities is seeking a publisher.

He has been editor/publisher of Reality Street Editions since 1993. Edwards is active in music as well as writing: he wrote the text for a piece by John Tilbury for piano, voice and sampled sounds, There’s something in there…, which was premiered in Leeds in 2003, and his music for Fanny Howe’s Spiral was first performed in Brighton and London in 2004. After 35 years in London, he now lives with his partner Elaine in Hastings, on the south coast of England, and works as an editor for the Royal College of Nursing.


Brilliant Sojourn

1
Lagged in our tree-house we turn hands to any
Thing and really get down to it mending the ribs
Bruised unexpectedly by concrete in the garden
Confident of vertical solutions to the
Horizontal crisis hoping to understand the real
Cloud formations that have embellished the imaginary sky
The word-box established anew on its bed of slate
The sloping courts of the spider in the good & mild
Weather bathing the windows from an angle
A schedule established and music is rooted in it
Soft works that require thought before supper

But high winds blow up now the half-moon clinging to
Moving clouds they follow laws of indeterminacy
Which, concentrating on, your brain would lose its bearings
Instead you follow the endless dark lane you keep the faith
You come up thankfully to the Golden Key


2
In the alternative scenario since everyone
Already knows the end the whole thing’s celebrating
Itself like a sonata in certain pursuit of its major triad
This is not open to us from this point
The sojourners will adapt themselves to such
As it appears and to no more than that
If they encounter the transcending element
Of wind they will now buy a woollen hat
If they arrive at water they will find a bridge

The southern sky is blinded by the network
And the form of their emerging words
Also the necessary interruptions
The point is that intention be destroyed


3
But we are done with words tonight we’re sick of them
And if we heard a diva & her band were to fulfil
A booking from across the northern current then
Slaking our appetite with fish & rice
We would attend with poised ears

there are some
Serene & highly technical elements in the music
Those exiled Russians have produced
That gladden the austere marshes of the estuary

And even the sojourners fare well with this
New stuff laid over an existing grid


poem by Ken Edwards

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...