Skip to main content

Who

I had dinner with the talented Mr. Chapman, pictured, on Friday, in London. Chapman is a poet, novelist, short story writer, and creator of screen and audio plays. Among other things, he recently wrote the script for Big Finish's 60-minute podcast / CD, Fear of the Daleks, read by Wendy Padbury - for the Companion Chronicles series. It's great, rousing stuff.

Chapman's latest book, which launched recently at the main Waterstone's in Dublin, is a collection of short stories, titled The Wow Signal. It's out from the UK small press Bluechrome, which is doing some good publishing work lately. They'll be putting out another book from Chapman in 2008. In the meantime, he's set for a busy year - in September 2007, he'll be launching his new collection of poems from Salmon. It's been thirteen years since his last full poetry collection, so this will be a strong grouping of his best work over more than the decade.

I've anthologized "The Wow Signal" story in Future Welcome (DC Books, 2005 - it also had poetry from Picador's Annie Freud, among others) - and often published Chapman, in Nthposition, and elsewhere. I think he's one of the most unusual, fresh and startling Irish writers of his generation. Good luck to him.

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise