I have been listening, with increasing wonder and delight (and some horror), to an album of work recorded by Elliott Smith , From a Basement on the Hill (October, 2004), produced and released posthumously, after this thirty something addled-abused genius died in a did-he-didn't-he murder/suicide - leaving an ambiguous corpse - and a brilliantly twisted, popular legacy of melancholy and melody - like some latter day Edgar A. Poe . Some fans have written that this album is not his best. I can't imagine that to be true. It has the confidence of its tragic origins, a whiff of the grave that makes a dead artist smell sweet. From the eerie opening of "Coast To Coast" to the last track, "A Distorted Reality is Now A Necessity" the songs establish an immensely persuasive and disturbing presence - we're listening to the inner voice of a man hanging on the edge of self-destruction, but licking the candyfloss from the cliff's face. In this instance, the candy ...
POETRY, POLITICS, PROVOCATION AND POPULAR CULTURE SINCE 2005 - 20 YEARS AND over 8 million visits - British Library-archived