Skip to main content

Poem for April The First


Love Or Poetry

I know now that love, not poetry, will save me
From your blessed injuries, your uneven surfaces,
Your deviant forms and targeted marketing; and
Not just love, but any love, will do – various

As all get out; love of whomever, by anything
Or anyone is the get out of jail card required, free
As every player of Monopoly knows (on the nose,
Write it on the nose); poetry has been a killer

Of children, and the old; it has been in a sorry state
Of late; it hurts what touches it; it congeals
Habits that are poor, shows generosity the door.
The sun is a good example of love, when out;

When obscured by clouds, that’s poetry society:
Lowering, glowering, scouring, causing some to
Cower. Love opens a bower of roses no winter
Can annoy or dislodge; love forgives, pardons,

And cajoles merely to improve. Poetry judges,
Decides, and awards. Sets up a moon in the place
Of the sun, elected by its Parnassian buddies,
Chortles in crisscrossed darkness, calling shadows

Swords, beams of the moon rays of pure gold.
I bleed on poetry’s knife-crime statistics, cut
Like a line that doesn’t work. It won’t open out
Like love will. Poetry mutters, scuttles, rebuts.

I strut now in bars of sure sheer sun, unashamed
Of my lack of poetry. I swoon to swim in prose.
I love what this lack of tortured syntax means;
It means I can go waste my life being ordinary.


poem by Todd Swift;
photo by Madeleine Waller

Comments

Janet Vickers said…
Love and Poetry

I don't know that love and poetry will save me
From the swords and wands of technicolour lips
The slang of unthinking force or exhaust pipes.
An April fool today, I care less about the judges

Than the poem itself, how it rests in the throat
And the soul, more than words or rhymes
Or clever ropes, the poem is still primeval
As the love that makes that gutteral sound.

For those whose birthdays fall on Easter
Can not waste their prose on ordinary
Swagger while their thoughts by default
Will still elevate the rose.

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".