Skip to main content

The Passion of the Madonna

First Mel Gibson does an Ezra Pound and broadcasts (albeit drunk and via one cop) his wild-eyed anti-Semitism; now, another major American celebrity has raised the stakes (as it were) and gone and done an anti-Gibson - crucifying the crucifixion, to mock the most profound symbol (or reality) of the Christina Faith - and Rome is damned if it's going to let that go uncondemned.

Now, I have always enjoyed Madonna's corpus (anti-Christi?) of work - some pictured here - but perhaps it is time to ask of her the question which she is so lewdly spelling out in splayed fashion on her stage - Quo Vadis? - that is - may we begin to interrogate the interrogator, take down the taker-downer, mock the mocker - and beg the question from the queen of buggery?

In short, Madonna: what do you believe? What is your alternative philosophy for the good life?

Drawing a conclusion from both her work (music, films, videos, books) and her life (etc.), the answer is relatively clear - Madonna represents an "empowered" American sexual "liberator" who blanches at accepting the authority of church (if not state and capitalism) in dictating her behaviour in public or private sphere - i.e. she stands for radical individualism. At various times, she may also have espoused one or other transcendental or pseudo-spiritual options of a mystic bent, but basically she is still a material girl.

Now, I don't know about you, but, given global warming, Iraq (and beyond), and the generally abusive spectre of American power, expressed in terms of freedom, liberty and international careerism, the once-stylish and cute flaunting of US-type free-speechery typified by Madonna on the cross, has now become less pleasant or admirable. It is perhaps time to suggest that more community-based, less-self-interested, and more complex and nuanced responses to the environment, multiculturalism, and other religious faiths, is now required - nay, demanded, by the times. Tilting at Jesus on a stick doesn't cut it anymore. Besides which, the Sermon on the Mount is hardly a document worthy of hoisting on its own petard - it still remains the blueprint for a way of life that, if widely adopted by humanity, could save us all - even if secularized and lifted from its religious impediments.

Or is that what Madonna is saying?


http://news.bbc.co.uk/2/hi/entertainment/5242638.stm

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise