Sir John Betjeman (pictured above) is one of England's most charming and popular 20th century poets. It is his centenary this year. He was Poet Laureate, as well as a succesful media personality, and sold millions of books. One of the poetry albums made of his recordings was titled Betjemania, which quite accurately reflects the general public regard for this rumpled, Teddy Bear holding, lovable eccentric: taught by T.S. Eliot and Muse to Philip Larkin.The great Atlantic drift between Britain and America yawns wide on the question of his reputation, thought it also seems up for grabs at home, too.
Arguably, Betjeman is little read or valued in America. Meanwhile, the BBC's flagship morning radio news slot, Today, today featured a rather long and winding debate, during its most valued minutes (the last ten before the nine o'clock news) on Betjeman's enduring legacy as a poet.
Oddly, one of the commentators expressed the view that Betjeman could not be considered a great poet (like Milton) as he was not very good in terms of "diction or form" - absurd claims from a North American perspective, where Betjeman's perfect English diction (his grasp of idiom, tone and style) and formal gifts (expert and traditional) mark him as both quintessentially English and something of a hothouse flower.
It was then put forth that, compared to The Waste Land, Betjeman had produced nothing of significant poetic value. The Waste Land is a famous and striking literary assemblage, but it is neither the greatest, or most moving, or most beautiful, poem of the century. While I agree that Betjeman is perhaps not in the first rank of poets, his gifts were many, and need not be dismissed quite so easily.
http://www.johnbetjeman.com/
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