A special Salt Cyclone event today on Katy Evans-Bush's tour of the world wide web. Eyewear is thrilled to be a part of this vivacious poet and blogger's whirlwind virtual voyage.
Katy Evans-Bush (pictured) was born in New York City and has lived in London since she was 19. Her poetry and essays have been published on both sides of the Atlantic. She is a regular contributor to the Contemporary Poetry Review and writes one of the most important British literary blogs, the very popular and always entertaining, Baroque in Hackney. Her debut poetry collection, which Eyewear recommends as one of its books of 2008, is Me and the Dead. Called "stylish, vivacious and darkly hilarious" by the Poetry Book Society, it is published by Salt, one of the significant poetry presses in the UK.
Evans-Bush has always struck me as a true original, one foot in New York, one in London (metaphorically), bestriding the pond with a wonky, warm charisma that has made her loved, and respected, by nearly all the younger generations of British poets now emerging (that is, everyone born since 1960 or so).
I've enjoyed her poetry since I first came across it, and have included it in anthologies, online, and even awarded it an Oxfam national poetry contest prize. If you're looking for a poet who combines a smart sense of style, form, humour, and heart, she's your gal.
A Crack in the Feeling
Broken in their box, quotidian eggs
— date-stamped, unusable. The omelette's off.
An ostrich-egg-in-dome, and plastic grass.
A dino egg, the raptors not drawn right.
These keepsakes can be lifted out of what
was meant to be (that bursting universe).
The robin, just a colour-sample (say
robin's-egg blue, a can of paint) : I never
see them lying cracked upon a path,
it seems too much to hope for now.
it seems too much to hope for now. I like
your eggs arranged in circles on the ground
(the largest first, then smaller outer rings
like planets with unfledged inhabitants
whose language can't be spoken, round a sun
that spreads its light like yolk along the lawn),
duck-eggs, and seven empty pigeon shells
whose hatchlings hang arse-up along a wire.
The ceiling leans toward them like a sky
whose robin's-egg-blue arc has just one fault.
Before your outer galaxy I quail:
its compass points — ambition, comfort, luck,
a ghost, desire — are shifting on the chart.
O egging (over) of my pudding (proof
whereof is where ? I ask). My open mouth.
O germ, O ovoid calm, O heavy world.
My love my love.
This rubber egg : the shtick
a child would use, to beat the laughter out.
poem by Katy-Evans Bush
from Me and The Dead; reprinted with permission of the publisher and author (note this version has a few variant lines due to formatting online)