Eyewear's Albums of the Year

Long gone is the idea that any one critic can survey the entire mediascape, and determine what is truly "the best" of a period, in a genre. Instead, one can, at best, suggest what one encountered, and how its impact was received - still, an evaluation, but one admittedly provisional and problematic. I no longer even know why I try to put together such lists, but, since I find myself buying a lot of pop / rock / indie albums (I like such music, though less and less), and enjoy sharing the best of these with friends, I thought I'd put forward my not-definitive list of the albums of Eyewear's 2008.

In descending order, here are the ten albums that most delighted, moved, inspired, or thrilled me - as popular recorded music by a band or singer:

Vampire Weekend - Vampire Weekend
Fleet Foxes - Fleet Foxes
Portishead - Third
Joe Jackson - Rain
The Verve - Forth
Keane - Perfect Symmetry
Foals - Antidotes
Glasvegas - Glasvegas
Lil' Wayne - Tha Carter III
Madonna - Hard Candy

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A few other albums were on my radar, and fill out the top 20, in no order:

Bon Iver - For Emma, Forever Ago
Kings of Leon - Only By The Night
AC/DC - Black Ice
The Ting Tings - We Started Nothing
Oasis - Dig Out Your Soul
TV On The Radio - Dear Science
Goldfrapp - Seventh Tree
Duffy - Rockferry
Black Kids - Partie Traumatic
Elbow - The Seldom Seen Kid

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2008, to my mind, created no truly great album (I am sure readers of Eyewear will disagree) - something definitive (then again, I have yet to hear the new Britney Spears). Styles continue to splinter, veer back, pay homage. A few records were mostly disappointments, retreads, or flops, by The Cure, The Killers, Snow Patrol, Coldplay, REM, and Guns N' Roses. It seems a little odd to note that 2009's most-awaited album is by U2. But that will be an event, hopefully.

A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....

E Y E W E A R, THE BLOG - FREEDOM MEANS BEING UNAFRAID TO WRITE WHAT YOU THINK

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