Skip to main content

Language Acts April 27, 2007

Language Acts: Anglo-Quebec Poetry, 1976 to the 21st Century
Edited by Jason Camlot and Todd Swift

to be launched at the 9th Blue Metropolis Montreal International Literary Festival

Friday, April 27, 8–9:30 p.m.
St-Charles Room, Hôtel Delta Centre-ville
777 rue University (Métro Square-Victoria)

A panel discussion will be chaired by the editors and will include Daniel Canty, David McGimpsey, Lianne Moyes, Victoria Stanton and David Solway. A reception will follow.

To view the Contents Page, click here. To view the Index, click here.
For information: 514.844.6073, http://www.vehiculepress.com/

---


Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century
publié sous la direction de Jason Camlot et Todd Swift

au 9ième Festival littéraire international de Montréal Metropolis bleu

vendredi le 27 avril, de 20h00 à 21h30
Salle St-Charles, Hôtel Delta Centre-ville
777 rue University (Métro Square-Victoria)

Une table ronde, présidée par les directeurs et composée de Daniel Canty, David McGimpsey,
Lianne Moyes, Victoria Stanton et David Solway, sera suivie par une réception.

To view the Contents Page, click here. To view the Index, click here.
Pour information: 514.844.6073, http://www.vehiculepress.com/

April 25–29
http://www.bluemetropolis.org/

Comments

Popular posts from this blog

Review of the new Simple Minds album - Walk Between Worlds

Taste is a matter of opinion - or so goes one opinion. Aesthetics, a branch of pistols at dawn, is unlikely to become unruffled and resolved any time soon, and meantime it is possible to argue, in this post-post-modern age, an age of voter rage, that political opinion trumps taste anyway. We like what we say is art. And what we say is art is what likes us.

Simple Minds - the Scottish band founded around 1977 with the pale faces and beautiful cheekbones, and perfect indie hair cuts - comes from a time before that - from a Glasgow of poverty and working-class socialism, and religiosity, in a pre-Internet time when the heights of modernity were signalled by Kraftwerk, large synthesisers, and dancing like Bowie at 3 am in a Berlin club.

To say that early Simple Minds was mannered is like accusing Joyce of being experimental. Doh. The band sought to merge the icy innovations of German music with British and American pioneers of glam and proto-punk, like Iggy Pop; their heroes were contrived,…

THE WINNER OF THE SIXTH FORTNIGHT PRIZE IS...



Wheeler Light for 'Life Jacket'.

The runner-up is: Daniel Duffy - 'President Returns To New York For Brief First Visit'

Wheeler Light currently lives in Boulder, Colorado.



Life Jacket

summer camp shirtsI couldn’t fit in then
are half my size nowI wanted to wear
smaller and smallerarticles of clothing
I shrunk to the sizethat disappeared

of an afterthoughtin a sinking ship body
too buoyant to sinktoo waterlogged for land
I becamea dot of sand

JOHN ASHBERY HAS DIED

With the death of the poetic genius John Ashbery, whose poems, translations, and criticism made him, to my mind, the most influential American poet since TS Eliot, 21st century poetry is moving into less certain territory.

Over the past few years, we have lost most of the truly great of our era: Edwin Morgan, Gunn, Hill, Heaney and Walcott, to name just five.  There are many more, of course. This is news too sad and deep to fathom this week.  I will write more perhaps later. 

I had a letter from Ashbery on my wall, and it inspired me daily.  He gave me advice for my PhD. He said kind things about a poetry book of mine.

He was a force for good serious play in poetry, and his appeal great. So many people I know and admire are at a loss this week because of his death. It is no consolation at present to think of the many thousands of living poets, just right now. But impressively, and even oddly, poetry itself seems to keep flowing.