Skip to main content

NEW SPRING POEM INSIRED BY CHARLES MOSELEY'S NEW BOOK

 

The idylls of the fool – 5 sonnets and a coda.

 

Nothing is convenient, and there is never

A good time to be sacrificed to the gods

Of fame’s indifferent gluttony. As

The epitome of the discardable,

I’m not for recycling, a wrapper

For a sweet invented by pacifists,

Now owned by war-makers.

I cavort in a high-ceilinged vacuum,

A dying king’s court is barely ideal

For hijinks. Still, playful idolatries,

Sidelong glances, petty affairs

Pass the time between numb life

And a lavish funeral ceremony

That will bankrupt the next potentate.

 

This kingdom buries their entertainers

With the pharaoh, I’m date-stamped,

And due for a tomb without song.

Strumming my lyre, winking at a princess,

Few if any spy my misfortunes,

Being squat, secondary, an epiphenomenon.

You may think being a cut-up cut-rate

Trickster in motley is a good gig,

Complete with belled cap for a wig,

As I take innumerable swigs of mead,

Have little need for a new role,

But since my Ulysses lolls half-lifeless

On his carved marble throne

Like tyrant winter had come early to tie

 

The spring, let us sing of the decline

Of jolly times, and tropic climes,

For a moribund kingdom is un-droll.

Meanwhile, my gold pile is as much

Use as a eunuch in a queen-sized bed, how to

Buy back those days when I was fab?

The courtiers now are lean, drab, dull;

Useless work takes its toll. We

Should be sailing West, or wherever else

Risk sharpens its claws, seeking out laws

To test; we should be scaling crags

To perforate giant nests, to steal eggs

Golden, rare, unimaginably potent.

It is never too late to steal away,

 

When the tide is prepared to bear

The crew to illustrious vagabond days

Without bonded women, dreams or delay –

Days of riveted action, aroused with instant

Purpose, the rigor of having to do and be.

The having no time to think, just time to see

That what gets done is heroism defined.

Such journeying is uppermost in my mind

As I reflect on my liquidised, drifting, lord.

Oh, how I’d love to throw his piqued chains off,

And bundle him back onboard, for one final

Crazy feast at the high table of mythmaking seas!

Give me uncertain nights, unknown weeks,

To a long-expected peaked doom foretold,

 

Certain as school exams or witless lays.

The old bones of even magisterial kings creak,

But as his eyes meet mine over the cracked rim

Of his overwrought goblet, I can recognise

A signal, even now, to me, his first, best, bard –

Companion still, not gone are the glories –

His wink commands me to plan a last foray,

Hurrah for the escape that defeats death’s doldrums,

We both flee to a future, as panjandrums undulate

To the banging of godless, lazy, imponderable drums.

Only disturb the play! Tear the costumes hard!

Aside, pigeons! Conventional hours obey idiocy.

It is a long madness we eagles choose to assay.

Art’s more interesting if rules bend astray!

 

The sun is sinking nearby villainous behemoths,

A debatably divine abyss, fusing with an occult sigil

That glistens in half-light, lustrous chaos of beyond

What is purely earth-bound, further than testing oceans!

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...