To celebrate the tenth birthday of Eyewear Blog - a major literary milestone in British poetry history perhaps (or not) - its spin-off sister, Eyewear Publishing is offering a £110 poetry prize for the best ten line poem using imagery in relation to eyewear, vision, opthamology, or something to do with monocles, glasses, glass eyes, eye patches, or optomosterists, including eye charts... and those tests that put a puff of air into your eye - ouch! Just email the poems as word docs within BEFORE MONDAY MAY 25TH to EYEWEAR TENTH BIRTHDAY POETRY PRIZE to info at eyewearpublishing dot com. Please share and retweet peeps!
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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