Eyewear Publishing has a major patron for 2015, who will be giving us £2,400 pounds over the year in monthly payments of £200. For that he is recognised for his generosity in each 2015 title, which he also receives free. We seek 19 more such patrons, to form the Eyewear 20/200 team. For some of you this will appear like a small fortune, but for many of you with professional careers, this could be a way of becoming actively part of a major new poetry and literary bridge between America and the UK (and beyond). Please do share this with those you think might be interested.
Our first brave and brilliant patron is Jonathan Wonham - and we are very grateful to his support. We aim to publish 15 books this year, of poetry, prose, and criticism, from emerging and well-known writers, from Australia, Holland, Mexico, Greece, the US, and many other places. No other UK small press is any more international than we are, and few can claim to now be publishing better or more intriguing poets. Based in West-end London, Eyewear is one of the best and best-designed and distributed small indie presses in Great Britain in 2015 - and occupies the same sort of transitional, trans-Atlantic, transformative role as the work of Ezra Pound did 100 years ago in London.
Our forthcoming poets and authors include Jacquelyn Pope, Sean Singer, Jan Owen, David Musgrave, Benno Barnard, Fady Joudah, Andrew Shields, Ruth Stacey, AK Blakemore, Elizabeth Stefanidi, Mario Bellatin, David Shook and more!
Our first brave and brilliant patron is Jonathan Wonham - and we are very grateful to his support. We aim to publish 15 books this year, of poetry, prose, and criticism, from emerging and well-known writers, from Australia, Holland, Mexico, Greece, the US, and many other places. No other UK small press is any more international than we are, and few can claim to now be publishing better or more intriguing poets. Based in West-end London, Eyewear is one of the best and best-designed and distributed small indie presses in Great Britain in 2015 - and occupies the same sort of transitional, trans-Atlantic, transformative role as the work of Ezra Pound did 100 years ago in London.
A potential 20/200 patron? |
Comments