Skip to main content

EYEWEAR'S 100 KEY CULT BOOKS OF THE LAST 100 YEARS

I have been working with a brilliant group of MLitt creative writing students at the University of Glasgow, one of the world's leading universities.  It became clear to me that their touchstones were not always mine - but sometimes, they very much were: some books are perennial, are loved, despite, or even because of, their canonical status.  Setting aside a few gems like Brideshead Revisited, Fiesta, and The Great Gatsby, which are too well known, arguably too merely literary, to be just Cult classics, here are the 100 (or 101 since there are two Outsiders) books of the last 100 years that every budding writer will want to read before they turn 21 - and are likely to read anyway, whether we like it or not.

To have started earlier, with Against Nature, or Heart of Darkness, would be to miss the point that the cultural phenomenon of the Cult book basically starts with the emergence of the teenager in the 50s and 60s, which is why Catcher in the Rye remains the quintessential Cult book.  My own favourite Camus is The Plague, but I felt it best to keep to one book per author (otherwise Camus, HesseBallard, Brett Easton Eliis and Bukowski would have had multiples). Oscar Wilde, Dostoyevsky and Nietzsche are obviously 19th century precursors for such angst-ridden works.

I welcome your suggestions for what is missing.  Note, there is sci-fi here, as well as horror and other genre fiction - and also graphic novels and memoirs. This list was compiled from speaking with my students, and also two key Irish writers and critics of our generation, Patrick Chapman and Bridget Hourican.  I also added a few of my own choices.  How many have you read?  I have a score of only 30% I confess.

A Clockwork Orange
A Confederacy of Dunces
A Scanner Darkly
A Separate Peace
Aberration of Starlight
American Psycho
An Angel at My Table
Ask the Dust
At Swim-Two-Birds
Atomised
Beautiful Losers
Bonjour Tristesse
Brave New World
Breakfast at Tiffany's
Bright Lights, Big City
Brighton Rock
By Grand Central Station I Sat Down and Wept
Catch-22
Catcher in the Rye
Cold Comfort Farm
Down In the Zero
Dune
Exquisite Corpse
Factotum
Fahrenheit 451
Fear and Loathing in Las Vegas
Fight Club
Geek Love
Generation X
Girl, Interrupted
Gravity’s Rainbow
How Late It Was How Late
I Am the Cheese
Infinite Jest
Interview with the Vampire
Lanark
Last Exit to Brooklyn
Leaving Las Vegas
Lolita
London Orbital
Lucky Jim
Maus
Money
Mysterious Skin
Naked Lunch
Nausea
Neuromancer
Never Let Me Go
Nightwood
Nineteen Eighty-Four
No One Belongs Here More Than You
Norwegian Wood
On The Road
One Flew Over the Cuckoo’s Nest
Oranges Are Not the Only Fruit
Our Lady of the Flowers
Persepolis
Portnoy's Complaint
Sexus
Slaughterhouse Five
Sombrero Fallout: A Japanese Novel
Story of the Eye
Swing Hammer Swing
The Alexandria Quartet
The Apprenticeship of Duddy Kravitz
The Atrocity Exhibition
The Beach
The Bell Jar
The Bloody Chamber
The Day of the Locust
The End of Alice
The Fountainhead
The Glass Bead Game
The Gormenghast trilogy
The Handmaid's Tale
The Heart Is a Lonely Hunter
The History of Luminous Motion
The Lord of the Flies
The Man with the Golden Arm
The Master and Margarita
The Moviegoer
The Outsider (Camus and Wilson)
The Painted Bird
The Perks of Being a Wallflower
The Postman Always Rings Twice
The Razor’s Edge
The Secret History
The Sheltering Sky
The Story of O
The Trial
The Virgin Suicides
The Wasp Factory
To Kill a Mockingbird
Trainspotting
Under The Volcano
Watchmen
Water Music
We Need To Talk About Kevin
Wetlands
White Noise


Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...