Skip to main content

FOUR NEW POEMS BY CATHERINE GRAHAM

Catherine Graham, one of Canada's finest poets


Eyewear is very honoured to publish these four new poems by Catherine Graham, who I think is one of Canada's best poets born since 1960.  She made the selection for my Selected Poems, due out in 2014.  She has been writing during her recent treatment for cancer, and these poems represent her at her best. Her most recent collection will be published this fall, Her Red Hair Rises
with the Wings of Insects
from the excellent press Wolsak and Wynn; they make beautiful-looking books.

MRI



Slide in like a deli-cut

of meat, be domed

by a crazed traffic of hellish sounds;

despite the lend of (useless) headphones, dense

metal filings of noise worm their way in

like tics to melt your mental brain pan.



No centre of pain to repel the whipped

sensation; just bombs of clangs with gears

and charging cracks and…

silence—

till it gears again.



to see cell deep

inside what tocks

within a calcified cloud, ready

to burst its way out—



and seed a master colony

of take and take and take.



Catherine Graham



 ---



Cloud insitu



You branded the dream into me.

In a plane, you, hightailing pilot,

newly licensed and I, your eager passenger.

We enter the blue you can’t see

when you’re inside it. Ocean below.

Clouds layered above. Until

lost, we stop along a long floating runway, flat,

and I walk out—too close to the cirrus edge—

to look down at new Eden. See? Clouds can be solid.

(All those water drops tight as ice.) But you

worry until I turn back like a dream that can’t.



*



What’s in me: contained.

A deadly trap inside the breast, eager

to snap (for cells are hungry to penetrate). Passed

down from the mother, a genie

hankering to fly out.



*



in situ   Latin   in its place

Like my manners—please

(stay in) thank you (for listening).

But carcinoma is a scary word

like pain or death.



*



That night the weatherman warns

of tornadoes. Climactic sky

of fungus green against chalk black.

Later, when we look up—

shapes we’ve never seen before—

giant pouches hang beneath

a bone of cloud, countless udders,

holding viewers captive in a cloud.



Catherine Graham



---





First Surgery



A plastic gas mask is placed

over your face, your mouth. “Breathe slowly.”

And then, “Do you feel tired yet?”



Out – into the land of the illusion

of nothing, nothing but the cutting

around the calcified nugget (wire-mapped twice

with such dense breasts) and the surgeon’s skilful

lifting – followed by a three-week stretch of hope

for clean edges—



                                      You awake with a shake—

“It’s over, Catherine.” And what rises from the inside out

is primal through the IV drip of tears.



Raw-stunned in your groggy state,

you have entered her pain at the age of her death,

the first operation before her last release

down that long ago Christmas Day

when she went to the land of nothing

of no illusion without coming back, unlike

these tears, rising so quietly wet, until you wipe them.



Catherine Graham



 ---



Sword Lily



And I am given the flowers

I brought to your grave

that long ago April day we

buried you after the frozen

winter finally let go, like the last

leaf of fall, into the messy wind,

the snow drip-dripping

the slow melt of ice, the frozen

earth becoming loose enough to take

you in and close you up, shovel by shovel,

like a wound with red blooming

swords resting over it, spears

without glinting edges, bandage

beauty for sealing pain.





Catherine Graham

all poems copyright 2013, by Catherine Graham.

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...