Skip to main content

Sleeping with Howard Roark, new poem by Todd Swift

Sleeping With Howard Roark

Only so often before that long chisel
in his thigh became more obstacle
than fertile marker; only so many times
I could spread as wide as a compass
to be ruled by the international style.
Roark never smiled during sex.
He'd just throw me right down
onto the appropriate organic materials
for the occasion, and I'd fit into the form
he most desired. I'd unfold, his blueprint.

Once I'd seen him dive into that quarry,
when just a girl without shape. An orphan,
I knew only molten ore. I craved pistons
and city walls erecting a new future,
and his arc that day down into clarity
struck me as it did that sheet surface
as a sign that though there was no God
there was a good in any body whose will
threw them from a height to tame water,
so that they would break it rising for air.

A body to hammer out design, to make
things to thrust high above the masses;
as when he'd say all his cooling love
was in the stress point where we both came,
penetration a golden mean; lust, curvilinear
abstraction. An unbroken I-beam, he'd turn
me to masculine function, engines rolling
across an open horizon of iron and chrome.
A fist would take my hair to cut his mouth on,
my sharp free and unrepentant home of stone.



new poem by Todd Swift

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise