Skip to main content

The Top 11 Songs of 2011

Eyewear thought that 2011 was an extraordinary year for music, though many anticipated bands and artists underperformed, with lacklustre releases, not least Coldplay, who have become pathetically upbeat in a bland way that seems utterly out of sync with the times.  This was very much the year of brilliant women, as well as folk/Americana.  Here is the playlist of 2011 - 45 minutes of excellence.

Nick Lowe - 'Sensitive Man' - Lowe's return was most welcome, and this jaunty, old-fashioned tune had the lovely surprise of "I'm no dinky-doo".

Nathaniel Rateliff - 'You Should've Seen The Other Guy' - in a year of (yes) sensitive, reflective Americana, Rateliff's broken-yet-defiant persona in this song seemed to capture the sad-sackery of our serial-recession era with dry humour and poignancy.

John Maus - 'Keep Pushing On' - 2011 saw many bands explore techno, synths, and 80s stylings, but no one else came up with a more hauntingly original, and inspiring, take on this, than Maus.

Katy B - 'Katy On A Mission' - here was the dancefloor anthem for an underground London - smart, sexy, and utterly undeniable.

PJ Harvey - 'The Words That Maketh Murder' - Harvey was the artist of the year (if not decade), and her album of an England and its wars was the masterwork those who love her had hoped for.

Gillian Welch 
- 'Tennessee' - "... and heaven when I die" - rarely has a song moved so much with its melodic stoicism.  A latecomer to this list, but now one of my favourite songs of all time.

Pajama Club - 'Can't Put It Down Until It Ends' - probably the most cleverly edited and complex pure pop song since 'Good Vibrations', this husband-and-wife team from down under recall the glory days of Split Enz.

Wilco - 'I Might' - speaking of The Beach Boys, here we have an adrenaline-rush of American-style rock that's light and dark at once.

Lady Gaga - 'Born This Way' - already a somewhat annoying fixture as Icon Numero Uno, this was her monster hit, a gay-disco pastiche of Madonna, that still managed to smack of unique talent.

Lana Del Rey - 'Video Games' - the dirge-like, Lynchian viral sensation of the last few months, no song of the year was as sexy, ominous, and retro-sad.  It was like Mad Men set to music, injected by a blonde hophead.

Florence + The Machine - 'What The Water Gave Me' - the most stirring, uplifting and flamboyant song of 2011, recalling the great days of Siouxsie and the Banshees, and yes, Kate Bush.  This was the big 80s back, an age unafraid of emotionality.




Comments

Poetry Pleases! said…
Dear Todd

Interesting list. I recognise about half of them. If you'll permit me a small plug, I've just finished putting my latest book 'The Poisoned Tunic' onto Kindle.

Best wishes from Simon
Andrew Shields said…
I've just put the list together on Spotify to check them out. The Nick Lowe is a good start! Love those horns!

From the Wilco album, I think my favorite is "Capitol City." But actually there's it's pretty brilliant from start to finish. "Art of Almost" I like to call "the best Radiohead song of the year." :-)

(Nick's been opening for Wilco a lot the last few months, but when I saw Wilco, Jonathan Wilson was opening, and he was also excellent.)
Andrew Shields said…
I've finished the list now; thanks for sharing it. I'm definitely going to look into Rateliff further, as well as Adele!

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...