It seems sad, but Lib Dem Treasury chief, David Laws, has had a stroke of bad luck - after securing an impressive coalition position, he's been outed in a rightwing paper as gay, in connection to financial dealings that saw him claiming his friend (who lived with him) as a non-partner - ambiguous terrain no doubt. It is to be hoped he can clear his name. To lose a smart hardworking centre-right Lib Dem with such a healthy link to business would be a blow to a government trying to be transparent, if tough.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
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