Skip to main content

School's Out For The Summer

The Poetry School group I work with has disbanded for the summer. A bittersweet moment, as such partings after a project well done always are. I have so much enjoyed working with them - they're talented, smart, and very good at supporting but also honestly critiquing each other's work. This year, the group included Kai Adams, Emily Berry, Mike Kavanagh, Samantha Jackson, Katrina Naomi, and Alex McRae. They've won prizes, have books out or pamphlets out, or on the way, and have completed or soon will commence, MAs, and PhDs. They're active.

Whenever I count my blessings - and should more often - I consider the chance to work with these (and other) poets through the Poetry School, and at Kingston, high on the list of good things. Poetic faith is renewed by such mentoring, by such fine students - students who become peers, and colleagues, and sometimes, friends, with their dedication and goodwill. I sometimes hear writers question the value of teaching creative writing, but surely, at least one of its virtues, however selfish, is this - it replenishes and inspires the teacher, since the students can have exciting new ideas about writing, and, among other things, are often reading unexpected works.

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise